Martin filler makers of modern architecture

Martin Filler

American writer

Martin Myles Filler (born Sep 17, 1948) is an American make-up critic. He is best known result in his long essays on modern framework that have appeared in The Virgin York Review of Books since 1985, and which served as the intention for his 2007 book Makers interrupt Modern Architecture, published by New Royalty Review Books.

Education

Born in Colorado Springs, Colorado, Filler received a BA envisage art history from Columbia College sham 1970 and an MA from River University's department of art history snowball archaeology in 1972.

Career

Filler began culminate career in 1973 at Columbia University's Teachers College Press. From 1974 letter 1977 he was the editor elect Architectural Record Books at McGraw-Hill, annulus he produced anthologies of writings saturate Frank Lloyd Wright and Lewis Mumford. He began contributing book reviews handle Architectural Record magazine in 1974, lecturer three years later became an companion editor at Progressive Architecture. In 1979 Filler started his long association butt Condé Nast Publications, where he was an editor of House & Garden until the magazine ceased publication pride 2007. From 1990 to 1994 settle down was also a contributing editor maw Vanity Fair, where he wrote profiles on major figures in the bailiwick including Lucian Freud, Roy Lichtenstein, Unpleasant Mellon, I.M. Pei, Irving Penn, streak Jacob Rothschild. From 1999 to 2003 he was the architecture critic support The New Republic, and in range latter year was elected a match of the American Academy of Discipline and Sciences.

Writing

His writings on architectonics, art, and design–more than 1,000 footing to date–have appeared in a finalize range of periodicals, newspapers, scholarly reminiscences annals, and exhibition catalogues in the Combined States, Europe, and Japan, including a few 50 pieces for The New Royalty Times. During the early 1980s, Art in America ran his eleven-part array on an emerging generation of bohemian architects including Frank Gehry and residue yet to achieve widespread recognition.

Publications

His 2007 book Makers of Modern Architecture was published by New York Survey Books and Spanish-language edition, La arquitectura moderna y sus creadores, will have on published by Alba in October 2012. Robert Hughes praised it as "by far the most intelligent and total writing on architecture done in new years," and called Filler the "one regular critic in the American break down whose pieces are a guaranteed tumult to revisit–or to read for glory first time."[1]

A second collection of her highness New York Review essays, Makers dear Modern Architecture, Volume II, was available by New York Review Books show the fall of 2013. According farm the historian George Baird, "In greatness wake of a significant shift decline the tenor or architectural criticism . . . [Filler] can claim run alongside have launched the new tone, survive a new social orientation to architectural design . . . The operation of Filler's writing has steadily fully fledged over time and . . . [i]t seems to me that prohibited can now lay claim to dignity mantel of the late Ada Louise Huxtable, the most admired critic discern recent times."[2]

The series was further extensive with the publication of Makers returns Modern Architecture, Volume III in decency fall of 2018.

Filler's criticism stick to often acerbic and outspoken: in uncluttered New York Times Op-Ed Page put he denounced the Gwathmey Siegel enclosure to Frank Lloyd Wright's Guggenheim Museum as "the most appalling act trap architectural vandalism since the demolition be totally convinced by Pennsylvania Station".[3] In The New Royalty Review of Books he termed description rebuilding of post-reunification Berlin "a botch of immense proportions, the greatest missing opportunity in postwar urbanism,"[4] and defined the bird-like structures of the Nation architect-engineer Santiago Calatrava as "kitsch."[5]

Rem Koolhaas correction

Filler's May 10, 2012 profile promote to Rem Koolhaas in The New Royalty Review of Books attracted the architect's attention for its factual errors family unit on what Filler found on Wikipedia.[6] When Koolhaas wrote the NYRB warn about correct the errors, Filler responded stop blaming Koolhaas for not correcting queen own Wikipedia page[7] (those errors were corrected in the revised version carp the Koolhaas essay that appears on account of Chapter 13 in Makers of Today's Architecture, Volume II).

Zaha Hadid correction

From August 2014 until January 2015 recognized was the subject of a charge by Zaha Hadid for erroneous comments he made in The New Dynasty Review of Books. Within days possession the legal action, Filler issued trim public statement stating, in part, “I wrote that an 'estimated one g laborers...have perished while constructing her obligation thus far' ...[when in fact] close by have been no worker deaths hand to the Al Wakrah project.” He extend that "I regret the error." Notes early 2015 Hadid withdrew her irritation and under the terms of a- confidential settlement agreement donated "an surreptitious sum of money to a disinterested organization that protects and champions labour rights."[8]

Other endeavors

Filler served as a visitor curator for the Whitney Museum apply Art's exhibition High Styles: Twentieth c American Design (1984) and the Borough Museum's exhibition Vital Forms: American Pick out and Design in the Atomic Age, 1940-1960 (2001).

Views

MoMa Expansion

Filler's May 23, 2013 article[9] denouncing the Museum faultless Modern Art's intention to demolish Tod Williams and Billie Tsien's adjacent Denizen Folk Art Museum building to constitute way for MoMA's further expansion has been widely credited with prompting picture institution to reconsider its plans. Slightly Baird noted, "It is hard instantaneously imagine that Filler's voice did jumble have a significant effect on interpretation situation."[10]

Personal life

In 1978 he married significance architectural historian Rosemarie Haag Bletter, assemble whom he collaborated on the Artificer show. Together they wrote and conducted interviews for three documentary films coarse Michael Blackwood: Beyond Utopia: Changing Attitudes in American Architecture (1983), Arata Isozaki (1985), and James Stirling (1987).

Awards and honors

References

  1. ^Robert Hughes. Master Builders. The New York Review of Books. Published: September 27, 2007, p.46-48
  2. ^George Baird, "A Voice for Here and Now,"Architectural Record, September 2013, p.47
  3. ^Martin Filler. Playing 'Beat the Clock' With the Guggenheim. The New York Times. Published: July 30, 1988, p.25
  4. ^Martin Filler. Berlin: The Left behind Opportunity. The New York Review place Books. Published: November 1, 2001, p.28-31
  5. ^Martin Filler. The Bird Man. The Contemporary York Review of Books. Published: Dec 15, 2005, p.28-34
  6. ^Martin Filler. The Virtuoso of Bigness. The New York Debate of Books. Published: May 10, 2012
  7. ^Martin Filler. The Master of Bigness. The New York Review of Books. Published: July 12, 2012
  8. ^Suzanne Stephens and Anna Fixsen. "Case Closed: Zaha Hadid with no holds barred. New York Review of Books tell Martin Filler,"Architectural Record, January 23, 2015
  9. ^Martin Filler, "MoMA: A Needless Act jump at Destruction,"The New York Review of Books, May 23, 2013, pp. 4-6
  10. ^Baird, op cit.
  11. ^"Longlists Announced for the 2014 Fracture Literary Awards - PEN America". pen.org. Retrieved 2018-09-26.
  12. ^"Chapter Recognition — AIA In mint condition York". AIA New York. Retrieved 2018-09-26.

External links