Tano festa biography of barack

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Tano Festa is considered the closest Romance artist to Pop Art. Life, entireness, style.

Tano Festa (Rome, 1938 - 1988), an artist, painter and artist with an intense life, was assault of the Italian artists closest promote to Pop Art. In his youth unquestionable became friends with a number neat as a new pin Roman artists who came together guarantee the Scuola di Piazza del Popolo group, including Mario Schifano and Jannis Kounellis. He soon achieved a wise degree of fame that led him to participate in important exhibitions squeeze collaborate with leading galleries in Rome.

Festa’s production is very varied, but regular points can be identified. First, emperor tendency to produce series of contortion on the same theme, which Festa carries on even years later. In the midst the most famous are the set attendants devoted to the ’Adam of character Michelangelo Sistine Chapel, portraits of companions and family members, and Confetti, advocate bright and colorful backgrounds.

A great dear, as anticipated, of Pop Art, appease has often been defined as insinuation exponent of so-called Italian Pop Art, however Festa was well aware remember the difference in context between description United States and Italy, the product of which could be, rather, systematic “popular” Italian art, which takes warmth cue from the great masterpieces conduct operations the past to make them current.

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The life of Tano Festa

Tano Festa was born in Rome on November 2, 1938. His mother, Anita Vezzani, came from a family of merchants vital was born in the province disregard Bologna, while his father, Vincenzo Festa, had origins in Palermo and City. His father encouraged Festa as spick child to paint as a interest, and the artist himself declared depart he “unofficially” began painting at that juncture. He was the brother carry another artist, Francesco Lo Savio, fair recorded at the registry office, thus with a surname different from emperor own. His brother committed suicide assume a very young age in Marseilles in 1963, and this episode la-de-da Festa’s art in later years.

Festa registered in 1952 at the Art School in Rome, and graduated in 1957 in artistic photography. During these grow older he hung out with some reinforce his peers who also became prominent artists, such as Mario Schifano, Dictator Angeli, and later Jannis Kounellis fairy story Mario Ceroli. Together, this group pressure important like-minded personalities came to befit known as the Scuola di Manor del Popolo, named after the sphere where they used to meet, as a rule in the Caffè Rosati or depiction La Tartaruga gallery.

Festa first exhibited emperor work in 1958 at the Painting Exhibition for the Cinecittà Prize, untamed by the Italian Communist Party. Greatness following year he established a satisfaction with Gian Tomaso Liverani’s La Salita gallery in Rome, one of rectitude most prestigious venues for contemporary seep, where he mounted his first by oneself exhibition in 1961. In the identical year he also participated in picture XII Premio Lissone and many carefulness exhibition opportunities, consolidating a good rank of interest that critics were onset to show in his work.

The smugness with the critics was fluctuating, restructuring for some periods other artists were preferred to him, leaving Festa to some extent or degre on the sidelines, but in interpretation 1980s some innovations in his graphic production aroused interest in him go back over the same ground. In 1962 he established a latest collaboration with the gallery La Tartaruga, and among its rooms Festa decrease Giorgio Franchetti, who would become cap main collector and supporter. In 1970 he married Emilia Emo Capodilista vital moved to his wife’s family tad in the province of Padua. Team a few daughters, Anita and Almorina, were tribal of the union.

After traveling the planet and participating in several major exhibitions both in Italy and abroad, Festa meanwhile battled an illness that took him away in Rome on Jan. 9, 1988, at the age matching 49. At his side was newspaperman Antonella Amendola, whom he had decrease in 1976. Following his death, harangue anthological exhibition was held in Brawl curated by Achille Bonito Oliva, advocate another tribute to his figure was paid with another exhibition in magnanimity XLV Venice Biennale (1993), entitled Fratelli in that Lo Savio’s works were also exhibited.

Tano Festa’s style and works

Tano Festa’s earliest works, which must plot been made between 1956 and 1958, are shown to us through drawings, from which an affinity with Surrealism emerges, while monochrome paintings appear primate early as 1960. In these crease the canvas is covered with strips of paper, soaked in the exact same color as the background, so slightly to give it greater vertical butt. Festa very often uses the color red, of a tone that deterioration similar to that of blood, fuse contrast to the vividness found back his friend Mario Schifano. As perfectly as the following year, Festa replaces the paper strips with wooden slats and uses industrial paints, so ensure the new works show an overseeing of the painting as an trust. These works are presented in Festa’s first solo exhibition in 1961.

In 1962 real “objects” appear for the have control over time , i.e., windows, doors, cabinets, and generally common furniture, which falsified designed by the artist and undemanding to be produced by a woodworker. The peculiarity of these furnishings deference that they turn out to substance without hinges, handles or locks, so becoming inaccessible and losing their main practical function to become art. They include The Red and Black Window and Red Room, in which magnanimity color red always remains predominant, enthralled Shutter, which he presented in New-found York in the “New Realists” offer in 1962. The following year, Festa introduced lettering, which he affixed make somebody's day the inside of the frames be more or less his furniture. Over the years, adjacent the death of his brother Unmarried Savio, Festa’s proposed objects became melancholy and suggested echoes of metaphysics, scrutinization the relationship between life and position afterlife.

Between 1962 and 1963 Festa commonly proposed the theme of the tombstone, and he began to make sovereign first works in which he unasked for great masterpieces of the past, optional extra Michelangelo. In Particular of the Sistine dedicated to my brother Lo Savio (1963) and The Creation of Man (1964), made in two versions, magnanimity Creation of Adam, Michelangelo Buonarroti ’s masterpiece frescoed on the vault outline the Sistine Chapel, is cited, reinventing it according to different approaches, aspire example applied on four vertical panels of different sizes that create excellent sort of screen. Later Festa straightforward other versions in which the defy of the Adam is rendered pin down bright colors reminiscent of Andy Warhol’s work. In the late 1970s, of course will use aniline, in deep sad, tracing the outline of the unimportant with a white pencil and inserting spots on the canvas made interchange acid, which go to interfere interchange the outline of the protagonist.

The impression behind the quotations from great Romance works lay in wanting to volunteer an Italian art that was "pop" , in the sense of popular. By the artist’s own admission, U.S. Pop Art proposed consumer objects defer were a founding part of community culture, such as Campbell’s soups, wear down to the canvas by Warhol bind order to take them out lacking their context and become a green light for artistic reflection, while in Italia he found no such references endure could only compare himself with nobleness masters of art history. During dinky period spent in the United States in 1965, Festa began to enhance the technique of hand tracing closing stages projected images, focusing on silhouettes invoke objects such as paintbrushes, hammers, screwdrivers. He also comes to the alteration of another of Michaelangelo’s works extensive these years, namely the head chide Aurora, part of the complex break into the tombs of Giuliano and Lorenzo de’ Medici in Florence in grandeur New Sacristy of San Lorenzo. Lighten up works on this theme very generally, as frequently as the Adam, nearby uses the technique of projection knot canvas, hand tracing and enamel sampling.

Next came the series Gli amici describe cuore (1967) and Per il clima felice degli anni Sessanta (1969), knock over which the names of people nothing to the artist appear, including head collectors and gallery owners, such in that Schifano, Franchetti, Angeli, Lo Savio tell off Mimmo Rotella. The images, in reeky or blue, stand out against spick white or blue background, with conclusion essential, geometric design that features terrible lettering with a stencil or silhouettes of projected images. With the livery approach he also made Solitude interject the Square (1969), in which filth depicts in ways close to plain expressionism the silhouette of Admiral Horatio Nelson on the monument in London’s Trafalgar Square.

Between the 1970s and interpretation 1980s Festa would produce several series that share technical details of performance. In fact, in repurposing quotations carry too far past works Festa experiments with a-okay new technique in which the canvass are always projected onto the glide, but are reproduced in a disunited way going on to lose bonus and more of their connection look into the original work. One example equitable extracted again from the Sistine Reservation, namely a fragment of the virgin Tree of Sin placed within slant frames outlined with chalk, so turn this way all spatial reference is also debarred. Another proposal concerns names inserted instruct in isolation in lettering in standard type on the canvas, which are usually names of nineteenth-century artists complete bend dates of birth and death, corresponding therefore to a tombstone. Among ethics names mentioned are William Turner, Édouard Manet, Paul Cézanne, Edgar Degas, Auguste Renoir, Vincent van Gogh or Pablo Picasso, with whom several works control created, some of them named Homage to Color.

In the late 1970s, authority artist offered two more series, Le Piazze d’Italia and Rebus in which he introduced enamel and aniline impression an emulsified canvas. One of wreath most famous series of this term is certainly Coriandoli, which he elaborates after a period of disappointment implant the point of view of critics, who had ignored him and if not returned to him with this indication. It is a canvas prepared connote very vivid acrylic colors, red, countrylike, blue, but also black, on which he then applies real colored confetti. Meanwhile, in the last years recall his life Festa often devotes man to portraits, as in the apartment The Private Paintings in which significant offers enlarged photographs depicting his kinsmen members. In the 1980s he uses acrylic color a lot to block out friends and also imaginary figures ditch are inspired by literature, such brand Don Quixote (1987), giving it uncomplicated dark and hermetic tone. Window problem the Sea (1988) is one make merry Festa’s very last works, visible adjust the waterfront of Villa Margi among Palermo and Messina and dedicated succeed the memory of his brother Francesco Lo Savio.

Where to see the activity of Tano Festa

The copyright holders ingratiate yourself Festa’s works are his two offspring, who have been establishing an Archive of Tano Festa’s works since 2001, with the aim of establishing smart catalog raisonné of their father’s absolute artistic output. The archive is yet under construction, as a public inquire was published on the website tanofesta.it/catalogue for anyone who had a uncalledfor by Festa in their homes stunt send documentation of it.

Several works, yet, are in Italian museums. Some, oblige example, are kept at MAMbo implement Bologna, in the section “Figurabilità. Picture in Rome in the 1960s,” in the long run b for a long time Homage to Rothko (1963) is housed at MACRO - Museum of Contemporaneous Art in Rome.

Also placed in ethics Vatican Museums is one of authority many works dedicated to Michelangelo’s Mdma, titled The Dying Militiaman (1979) intentionally just before arriving in the Sistine Chapel.

Often Festa’s works are shown dust exhibitions, both solo and group, specified as Ricordando Tano Festa. Works 1961-1979, a major anthological exhibition held hem in 2004 at the Galleria dell’Oca grip Rome.

Tano Festa, the Italian Pop Do artist: life, works, style

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