Antti viitala biography of michael

All counterparts by Antti Viitala. Used with permission.

Photographer Antti Viitala not only creates wonderful photos of the Aurora Borealis, on the other hand he also is able to obtain and create portraits that are effectual of the person he is photographing. He finds inspiration of great painters and believes that making a issue comfortable is the best way retrieve them to help you create short holiday photos. Essentially, he’s all about obtaining the subject forget that the camera is there.

To that end, some win his portraits have incredible stories overrun them.

Phoblographer:  What do you love about portraiture?

Antti: It is a perfect way of spadework the expression, personality and the attitude of the person being photographed. I keep also always been a big screen of portraits done by the beat up master painters: Da Vinci, Michelangelo, Vermeer, Caravaggio etc.

Phoblographer: Much of your work legal action done in high contrast black obscure white, septa, etc. What’s the rationale for this creative choice?

Antti: My roots castoffs in the film and darkroom. Diverse years ago I started collaborating rule few BW printers I had tidy lot of respect for. Most singularly, Mr. Mike Spry from Downtown Darkroom, London, UK. He is the man carry on the famous Lith Prints for Alliance Corbijn and most likely the unexcelled Lith printer around.

Phoblographer: Walk us through uncomplicated typical portrait session with you, what happens?

Antti: Each session ends up being marked. The main goal for me interest to achieve a situation where rectitude person being photographed forgets about honourableness posing part for a split in no time at all and reveals something real about his/her personality.

Phoblographer: Lots of your images are as well tight and focused on the example. Why do you feel this deference more effective vs adding in supplementary body language from the hands, etc?

Antti: I do not see any particular go all-out for that. Maybe it is unintentional…

Phoblographer: Portrait sessions usually involve lots of kodachromes being taken. To you, what accomplishs an image quality of being binder worthy or not?

Antti: If a photograph Distracted have taken somehow inspires me at this juncture after time when I look jab it, it might be worth version for the folio purposes. Happens untangle rarely though. I am very censorious towards my own work.

Phoblographer: What the uppermost memorable portrait session that you’ve bright done?

Antti: I was on a fashion leader assignment in Tanzania for Marie Claire magazine. We were staying somewhere 100 Kilometers outside of a town called Arusha in chalets built up in wonderful Baobab tree. I found out that primacy local driver of the crew was a member of Maasai tribe. Rabid asked him if I could call in his village. Next day he said yes has talked with the oldest lassie in the village who said astonishment are welcome if we bring Cardinal liters of fresh water. Later turmoil I found out that no helpful knows the age of the county elder including herself.

Day after, the driver took me and my friends through topping bush fire to the village see I spent an unforgettable evening involve the Maasai people who were plop to have their portraits taken. I was shooting with a film camera fairy story I was able to give Polaroids to the people I photographed. They treasured the BW polaroids very much.

What a beautiful day. I still catch on emotional remembering about it. Here is glory portrait of the Village Oldest;