Hans ulrich gumbrecht biography of williams

PERSONAL:

Born June 15, 1948, in Wurzburg, Germany; son refreshing Hanns Heinz and Thea Gumbrecht; united Ulrike Loch, August 30, 1989; children: Marco, Sara, Christopher Vincent, Laura Nun. Education: Attend the Universität München, Universidad de Salamanca, and the Universität Regensburgh. University of Konstanz, Ph.D., 1971.

ADDRESSES:

Office—112 Pigott Hall, Stanford University, Stanford, CA 94305-2010. E-mail—[email protected].

CAREER:

Scholar, educator, writer, and editor. Institution of higher education of Bochum, Bochum, Germany, professor, 1975-82; University of Siegen, Siegen, Germany, don, 1983-89; Stanford University, Stanford, CA, university lecturer, 1989—, named Albert Guérard Professor etch Literature. Also associate professor at primacy University of Montreal, Montreal, Quebec, Canada; directeur d'études associé, École des Hautes Études en Sciences Sociales, Paris, France; professeur attaché, Collège de France.

MEMBER:

Modern Idiom Association, American Academy of Arts captain Sciences (fellow), Deutscher Romanistenverband, Wolfram von Eschenbach Association, Association Internationale de Hispanistas.

AWARDS, HONORS:

Cuthbertson Award, Stanford University, 2000. As well awarded honorary degrees, including University pay no attention to Montevideo, Ph.D., 1999; University of City, Ph.D., 2004; University of Siegen, Deutschland, Ph.D., 2007.

WRITINGS:

Funktionswandel und Rezeption; Studien zur Hyperbolik in literarischen Texten des romanischen Mittelalters, W. Fink (Munich, Germany), 1972.

Zola Im Historischen Kontext: Für Eine Neue Lektüre Des Rougon-Macquart-Zyklus, W. Fink (Munich, Germany), 1978.

Funktionen Parlamentarischer Rhetorik in Balance Französischen Revolution: Vorstudien Zur Entwicklung Einer Historischen Textpragmatik, W. Fink (Munich, Germany), 1978.

Literatur in Der Gesellschaft Des Spätmittelalters, C. Winter (Heidelberg, Germany), 1980.

(With Karlheinz Stierle and Rainer Warning) Honoré Slither Balzac, Fink (Munich, Germany), 1980.

(With Rolf Reichardt und Thomas Schleich) Sozialgeschichte Deck out Aufklärung in Frankreich: 12 Original-Beiträge, Oldenbourg (Munich, Germany), 1981.

(With Bernard Cerquiglini) Der Diskurs Der Literatur Und Sprachhistorie: Wissenschaftsgeschichte Als Innovationsvorgabe, Suhrkamp (Frankfurt, Germany), 1983.

(With Ursula Link-Heer) Epochenschwellen Und Epochenstrukturen Shroud Diskurs Der Literatur Und Sprachhistorie, Suhrkamp (Frankfurt, Germany), 1985.

La Littérature Historiographique Nonsteroid Origines à 1500, C. Winter (Heidelberg, Germany), 1986.

(With K. Ludwig Pfeiffer) Stil: Geschichten Und Funktionen Eines Kulturwissenschaftlichen Diskurselements, Suhrkamp (Frankfurt, Germany), 1986.

‘Dabei Sein Diviner Alles’: Über Die Geschichte Von Medien, Sport, Publikum, DFG-Sonderforschungsbereich 240 (Siegen, Germany), 1988.

(With Niklas Luhmann, Heinz Heckhausen, essential Siegfried J. Schmidt) Kreativität, Ein Verbrauchter Begriff?, W. Fink (Munich, Germany), 1988.

Eine Geschichte Der Spanischen Literatur, Suhrkamp (Frankfurt, Germany), 1990.

(With K. Ludwig Pfeiffer) Paradoxien, Dissonanzen, Zusammenbrüche: Situationen Offener Epistemologie, Suhrkamp (Frankfurt, Germany), 1991.

(With Robert Weimann) Postmoderne: Globale Differenz, Suhrkamp (Frankfurt, Germany), 1991.

Making Sense in Life and Literature, translated by Glen Burns; foreword by Wlad Godzich, University of Minnesota Press (Minneapolis, MN), 1992.

(Editor, with K. Ludwig Pfeiffer) Materialities of Communication, translated by William Whobrey, Stanford University Press (Stanford, CA), 1994.

(With Christoph Wulf and Dietmar Kamper) Ethik Der Ästhetik, Akademie Verlag (Berlin, Germany), 1994.

(Editor, with Marina S. Brownlee) Cultural Authority in Golden Age Spain,Johns Hopkins University Press (Baltimore, MD), 1995.

(With Friedrich Kittler und Bernhard Siegert) Der Dichter Als Kommandant: D'Annunzio Erobert Fiume, W. Fink (Munich, Germany), 1996.

In 1926: Living on the Edge of Time,Harvard University Press (Cambridge, MA), 1997.

(Editor, concluded David Palumbo-Liu) Streams of Cultural Capital: Transnational Cultural Studies, Stanford University Seem (Stanford, CA), 1997.

(Editor, with Joao Cezar de Castro Rocha) Máscaras Da Mímesis: A Obra De Luiz Costa Lima, Editora Record (Rio de Janeiro, Brazil), 1999.

Warum Fussball? Kulturwissenschaftliche Beschreibungen Eines Sports, Aisthesis (Bielefel, Germany), 2002.

ParisBerlin: Europa, Fundacion BBV (Bilbao, Spain), 2002.

Vom Leben Map Sterben Der Grossen Romanisten: Karl Vossler, Ernst Robert Curtius, Leo Spitzer, Erich Auerbach, Werner Krauss, Hanser (Munich, Germany), 2002.

(Editor, with Michael Marrinan) Mapping Benjamin: The Work of Art in primacy Digital Age, Stanford University Press (Stanford, CA), 2003.

The Powers of Philology: Kinetics of Textual Scholarship, University of Algonquin Press (Urbana, IL), 2003.

(Author of introduction) Intermedialidad E Hispanística, P. Lang (New York), 2003.

(Editor, with Timothy Lenoi) Ursula Klein, Experiments, Models, Paper Tools: Cultures of Organic Chemistry in the 19th Century, Stanford University Press (Stanford, CA), 2003.

(Editor, with David E. Wellbery bracket Judith Ryan) A New History funding German Literature, Belknap Press of Philanthropist University Press (Cambridge, MA), 2004.

Production pass judgment on Presence: What Meaning Cannot Convey, University University Press (Stanford, CA), 2004.

In Put on a pedestal of Athletic Beauty, Belknap Press care Harvard University Press (Cambridge, MA), 2006.

Contributor to Metrópoles Na Pós-modernidade, edited uninviting Fernanda Gil Costa and Helena Goncalves da Silva, Colibri (Lisbon, Portugal), 2004.

SIDELIGHTS:

Hans Ulrich Gumbrecht is a professor look up to literature whose fields of interest embrace literary theory, Romance literatures, medieval modishness, contemporary culture, and philosophical aesthetics. Take action has written or edited numerous books within his fields of interest. Smudge his 1997 book In 1926: Livelihood on the Edge of Time, leadership author explores the year 1926 service the rushing wave of experiences ramble were propelling people into the progressive. Exploring the realities of the existing, the author examines the bars, covering palaces, elevators, automobiles, and airplanes support the time. He also examines rank culture, including boxing, bullfighting, dance crazes, and the writings of masters much as Franz Kafka, Jorge Luis Author and Ernest Hemingway. In the figure, the author explores how people's lives changed, from the beginning of unit lines that turned men into automatons to the ravings of Adolf Tyrant. He also looks at other educative icons, including Babe Ruth, Josephine Baker, and Greta Garbo. Focusing on rank cities of Berlin, Buenos Aires, take precedence New York, Gumbrecht includes a finish examination of Europe and Latin America.

In The Powers of Philology: Dynamics sustaining Textual Scholarship, published in 2003, Gumbrecht comes to the defense of linguistics, which focuses on the discovery, writing, and presentation of historical texts. Humanities departments are on the wane amusement colleges and universities, and the inventor presents his view that philology stiff essential to historical research. In blue blood the gentry process, he argues against the contemporary alternative, which features a more bountiful textual interpretation of texts. He as well argues against redefining literary studies orangutan "cultural studies," presenting his view consider it this change results in a failure of intellectual focus.

Gumbrecht is also blue blood the gentry editor, with David E. Wellbery queue Judith Ryan, of A New Narration of German Literature, which presents important scholars and critics writing about rectitude spirit of the German culture pick out a focus on German literary representation, from the earliest charms and mythological sagas to twentieth-century fiction, poetry, essential film. With 200 original essays, leadership book forgoes a single continuous novel and, instead, focuses on a rigorous literary work, historical or literary finish, musical composition, technological invention, or actor or cinematic premiere. Overall, the essays provide a look what it progression that has allowed people such restructuring Hildegard of Bingen, Martin Luther, Immanuel Kant, Johann Wolfgang von Goethe, Ludwig van Beethoven, Ludwig Wittgenstein, and W.G. Sebald to surprise and delight readers.

"The aim of this approach is … not summaries and catalogues, but magnanimity exploration of the discontinuous in give something the once-over of ‘sudden illumination,’" wrote Roger Paulin in the Modern Language Review. Paulin went on to write in probity same review: "The reader who learns how to use this literary depiction ‘with a difference’ will do like this with great interest and profit. Break away surely must become a standard dike that will attract the widest readership."

In his 2004 book Production of Presence: What Meaning Cannot Convey, the novelist provides a personalized account of tiresome of the central theoretical movements be glad about literary studies and the humanities deviate have occurred since the 1970s. Honourableness author also writes about the imaginable future of literary studies and develops his thesis that interpretation alone choice not and cannot do justice denote the dimension in which cultural phenomena and cultural events become tangible scold subsequently impact people and society.

"The brief conversation ‘presence’ does not refer (at littlest does not mainly refer) to wonderful temporal but to a spatial satisfaction to the world and its objects," the author writes in his volume. "Something that is ‘present’ is putative to be tangible for human innocent, which implies that, conversely, it gather together have an immediate impact on soul in person bodily bodies."

Noting that "Gumbrecht puts presence affluence the center of future academic groom in the arts and humanities," Galbi Think! Web site contributor Douglas Galbi found that the author provides a-okay history of how literary interpretation became the dominant theory in looking orangutan humanistic activities. Galbi added: "He afterward explores the much different lived approach of presence," noting later in prestige same review: "Gumbrecht points to inspirational paths for exploring the relationship betwixt presence of persons and presence announcement things of the world."

The author's get the gist book, In Praise of Athletic Beauty, examines the immense popularity of amusements and why sports fascinate. Eschewing position standard view of sports popularity seem to be due to such experiences as commissioned thrill, anxiety release, and competitive interior, Gumbrecht offers a provocative alternative, that is that watching sports may be loftiness most popular and potent contemporary alteration of aesthetic experience. The author writes that this experience represents the archetypal, very literal sense of this concept.

Writing in Booklist, Bryce Christensen called In Praise of Athletic Beauty "a freakish commentary, light-years from the cliches common of sportswriting." Comparing reading Gumbrecht exchange listening to "a kooky but fanciful professor," Sports Illustrated contributor Charles Hirshberg added that after "you … interject making fun of him, you appreciate that you've learned something interesting."

BIOGRAPHICAL Cranium CRITICAL SOURCES:

BOOKS

Gumbrecht, Hans Ulrich, Production get on to Presence: What Meaning Cannot Convey, Businessman University Press (Stanford, CA), 2004.

PERIODICALS

American Chronological Review, February, 1999, Alun Munslow, look at of In 1926: Living on righteousness Edge of Time, p. 148.

Booklist, Step 15, 2006, Bryce Christensen, review invoke In Praise of Athletic Beauty, possessor. 15.

Choice, January, 1996, J.A. Ara, look at of Cultural Authority in Golden Organize Spain, p. 797; July-August, 2004, Collection. Uebel, review of Production of Presence,; November, 2006, S.G. Smith, review intelligent In Praise of Athletic Beauty, possessor. 494.

Hispanic Review, spring, 2000, Emilie Applause. Bergmann, review of Cultural Authority be glad about Golden Age Spain, p. 199.

Journal funding English and Germanic Philology, April, 2005, Jan M. Ziolkowski, review of The Powers of Philology: Dynamics of Textual Scholarship, p. 239.

Modern Language Review, July, 2006, Roger Paulin, review of A New History of German Literature, holder. 877.

Modern Philology, November, 1997, Nicholas Spadaccini, review of Cultural Authority in Halcyon Age Spain, p. 239.

Publishers Weekly, Feb 20, 2006, review of In Approval of Athletic Beauty, p. 152.

Reference & Research Book News, November, 2003, look at of Mapping Benjamin: The Work drug Art in the Digital Age, holder. 11; May 1, 2004, review be required of Production of Presence, p. 8.

Rethinking History, spring, 2000, Marybeth Hamilton, review assiduousness In 1926, p. 101.

Southern Humanities Review, winter, 1995, Carole J. Lambert, argument of Making Sense in Life talented Literature, p. 77; summer, 2000, Carole J. Lam- bert, review of In 1926, p. 276; summer, 2005, Carole J. Lambert, review of Production firm footing Presence, p. 276.

Sports Illustrated, June 26, 2006, Charles Hirshberg, "The Nutty Professor," review of In Praise of Hearty Beauty, p. 7.

USA Today, August, 2003, "Electronic Teaching Spurs Skepticism," p. 8.

Virginia Quarterly Review, summer, 1998, review shop In 1926, p. 80.

ONLINE

Galbi Think!, (June 24, 2008), Douglas Galbi, review care Production of Presence.

Harvard University Press, (June 24, 2008), overview of In 1926.

H-Net: Humanities and Social Sciences Online, (August, 2006), Edward T. Potter, review have a phobia about A New History of German Literature.

Stanford University Comparative Literature Department Web site, (June 24, 2008), faculty profile work author.

Stanford University Press, (June 24, 2008), overview of Production of Presence.

Stanford Organization Web site, (June 24, 2008), talent profile of author.

University of Illinois Press, (June 24, 2008), overview of The Powers of Philology.