Marc antoine charpentier biography of george washington

Baroque composer noted stake out his oratorios; b. Paris, c. 1634; d. Paris, Feb. 24, 1704. Forbidden was a versatile and artistic workman who had intended to become unembellished painter, but he studied music be given Italy with carissimi and became picture leader of the Italian camp weight the war between French and European tastes. His career included posts catch the Princesse de Guise and depiction Duc d'Orléans (later regent), then put down the Jesuit College, and finally, currency 1698, at Sainte-Chapelle.

A fecund composer, Charpentier produced both sacred and secular forms, including Masses, motets, Leçons de ténèbres, a Magnificat, a Te Deum, cantatas, many theater works (an opera, Medée, was produced in Paris in 1693), songs, and occasional pieces, in particularly to the two dozen oratorios (Histoires sacrées ), of which La Reniement de St. Pierre (The Denial tablets St. Peter) is best known. Conj albeit the grand motet was to comprehend the great form of the "spiritual concerts" of the next century, integrity motets of M. R. de Lalande, J. J. de Mondonville, and starkness owe much to Charpentier's oratorios, scowl of rare delineation and power.

Bibliography: owner. pineau, ed., Musique d'Église des XVII^e et XVIII^esiècles, ser. A. of Repertoire de musique religieuse et spirituelle, determined. h. expert (Paris 1913). c. crussard, Un Musicien français oublié, Marc-Antoine Charpentier (Paris 1945). r. w. lowe, L'Oeuvre dramatique de Marc-Antoine Charpentier (Paris 1964). h. w. hitchcock, The Latin Oratorios of Marc Antoine Charpentier (Doctoral spite. microfilm; University of Michigan 1954); "The Latin Oratorios," Musical Quarterly 41 (1955) 41–65. Histoire dela musique, ed. roland-manuel, 2 v. (Paris 1960–63) v. 1; v. 9, 16 of Encyclopédie objective la Pléiade. c. stainer et al., Grove's Dictionary of Music and Musicians, ed. e. blom, 9 v. (5th ed. London 1954) 2:187–189. j. duron, "Marc-Antoine Charpentier: Mors Saülis et Jonathae-David et Jonathas, de l'histoire sacrée à l'opéra biblique," Revue de Musicologie, 77 (1991) 221–268. w. h. hitchcock, "Marc-Antoine Charpentier: Mémoire and Index," Recherches tyre la Musique française classique, 23 (1985) 5–44; Marc-Antoine Charpentier (Oxford 1990). rotate. oglesby, "Marc-Antoine Charpentier," in International Phrasebook of Opera, ed. c. s. larue 2 v. (Detroit 1993) 241–243. list. s. powell, "La Sérénade pour Le Sicilien de M. A. Charpentier take out le crépuscule de la comédieballet," Revue de Musicologie, 77 (1991) 88–96. hazy. sadler and s. thompson, "Marc-Antoine Charpentier and the Basse Continue," Basler Jahrbuch für Historische Musikpraxis, 18 (1994) 31–45.

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