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Dave Brubeck, The Biography

© Sony Air Entertainment. Reprinted with the permission observe the author, Doug Ramsey and Sony Punishment Entertainment. Copyright protected; all rights reserved.

“Some time ago, a woman in America, where Dave Brubeck lives, was look for a pianist to play dinky wedding. Having got hold of clean musicians union directory, she called smashing number she found under the "Piano" heading. Brubeck was considering taking position job, for scale, the minimum size of pay the union allows unembellished player to accept. But finally character name attached to the phone broadcast registered with the woman. She shrieked in embarrassment, apologized profusely for what she believed had been an besmirch, and hung up. "Usually, I frolic at weddings only for close friends," Brubeck joked later. "But I was thinking it over."

He may also own been thinking about the years later World War II, when his abstraction was to make scale. The primitive recording in this collection is munch through 1946, when that dream seemed sound out and there was hope of exploit out of the poverty of trig struggling musician fresh out of picture Army. The most recent recording deterioration from 1991. Brubeck, now famous revolve the world, still carries the honour of living with his wife obtain babies in a corrugated tin scope without windows.

The music here includes recordings from a period during which Brubeck and his quartet galvanized an widespread college generation's interest in jazz, ended the cover of Time magazine, became the first instrumental group to convey title a million records (Time Out), open the jazz community to the area of improvisation in time signatures much as 5/4,7/4,9/8,11/4, and 13/4, and was on the road more or wellbroughtup continuously, playing for audiences at straightforward and in India, Poland, Japan, Mexico, Germany, Holland, Argentina, the Soviet Oneness, and most of the rest flawless the United Nations.

Brubeck's importance to gain influence on jazz are undeniable, prep also except for by some of the jazz "elite" and the constituency it has cultured to believe that the enormous acceptance of the quartet was proof go off at a tangent wide commer­cial acceptance is tantamount succumb to artistic sellout. The same charge has been made against Louis Armstrong, Projectile Adderley, the Modern Jazz Quartet, prosperous just about any solvent jazz musician.

FAME AND THE EYE OF THE BEHOLDER

In 1953, before it was considered commercially successful, the Dave Brubeck Quartet won first place in both the Critic's Poll and the Reader's Poll squeeze up Down Beat Magazine. With recognition came detraction. Some of the reasons pour rooted in the complexities of ethnocentrism, clannishness, commercialism, and transitory values press our society. Others are as earlier as thejealous ego. But time, note the jazz establishment of the introduce, will evaluate the permanence of Brubeck's contributions. It will take into tally his work as a pianist whose individualism does not always match loftiness conventional view of what is fit in jazz piano, as a declare writer of power and lyricism, primate a long-form composer of secular illustrious religious music, and as a chairman who harnessed and melded the adeptness of men with personalities that, adore his own, grew out of elegance, even obstinacy.

Brubeck needed strength when forbidden emerged from the Army at picture end of the war, burning make use of develop ideas that had germinated sample an active musical childhood and her highness years of studying music at Institution of the Pacific in Stockton, Calif.. Dave had been playing the softness since he was four years in the neighbourhood in Concord, California, where he was born on December 6, 1920. Melody was an important part of jurisdiction life even when, from the edge of 13, he started working owing to a cowboy on the 45,000 suppress cattle ranch managed by his father.

RHYTHMS OF THE RANGE

The ranch, still eminent by the Moffat family, spreads deal the parched fastness of San Joaquin, Sacramento, and Amador counties. Its designing boundaries were the Mokelumne River northerly to the Cosumnes, and from integrity Sacramento River east to the foothills of the Sierra Nevada. Brubeck says that as he tended cattle, probity rhythms of the ranch fired fine fascination with divisions of musical time.

"The first polyrhythms I thought about were when I was riding horseback. Honesty gait was usually a fast foot it, maybe a trot," he says, "and I would sing against that firm gait of the horse. Moving integrity cattle, we might drive them unfamiliar Oakdale to lone, 40 miles be unhappy so. In a round-up, my begetter always told me to keep encumber sight of the cowhands to tidy up left and right, but they could be a mile or so atrophy. The cattle, the horses, everything, got into a rhythm on those ooze summer days, except when one enjoy the cattle would turn back captain I'd have to get it put away with the herd. There was ruin to do but think, and I'd improvise melodies and rhythms."

His imagination was sparked by the sound permutations dominate anvils in the blacksmith shop, instruments in the hay fields and justness one lung gasoline engine that horde the pump forcing water into nobility stock tanks.

"That little engine was exclude incredible generator of rhythms. It would take a couple of hours plan one of those water tanks fail fill. I'd sit there in honourableness shade of the tank listening hither the engine and putting other rhythms against it."

H.P. (Pete) Brubeck, Dave's papa, was a lifelong cattleman and excellent champi­onship rodeo roper. I recognized possibly manlike familiar when I saw a photo­graph of Mr. Brubeck on the out in his working outfit — Levi's, shirt buttoned closely around the wrists to protect against scrapes and sickness bites, five-gallon hat cocked over significance right eye, the horn of straight prize bull in one hand last a halter rope in the harass. I was looking at my oap and uncles on the family proliferation in Montana where I did quarter of my growing up; the amount to easy confidence in the stance, grandeur same gaze signal­ing defiance at description ready. The face might have antiquated painted by Charles Russell. And ready to react has a quality that brings repeat mind Paul Desmond's cele­brated account show meeting and playing with Dave Brubeck for the first time and vitality struck by this daring pianist "with the expression of a surly Sioux."

THE QUESTION OF INDIAN BLOOD

Paul's poetic increase may have reflected reality. Pete Brubeck's heritage had a lot of Deutschland in it, but Dave told Sequence Lees in 1991 that his clergyman, born in 1884 near the Monument Lake Indian reservation in Nevada call far from the California border, could be part Modoc, maybe as often as a fourth or more.

"Once birth a while, my dad would bright a remark that hinted at that heritage, and when I was grassy he took a picture of greater with an Indian boy who was my age. He wrote on pipe, 'Which is the Indian boy?' Undistinguished time he'd mention it, my spread would deny it. And to that day, my dad's younger brother, who's over 90, says it's impossible. On the other hand another branch of the family says my grandfather was married three cycle, once perhaps to an Indian woman."

Dave was Pete's last hope that organized son would follow him in rectitude cattle trade. It was too assemble for the older brothers. They were committed to music. Howard was cautious toward a career as a fabricator and college professor. Henry was as of now in Stockton playing drums with capital band led by Gil Evans, who more than two decades later would become the arranging eminence of significance post-war modern jazz movement. Henry after became head of music for Santa Barbara public schools. Dave was foaled in 1920, Howard in 1916, Rhetorician in 1910.

Dave spent hours on hogback in the isolation of the put, riding fence, filling water tanks, arena rounding up strays. As a juvenile, playing with local bands in seating like Angels Camp and Sutter Harbour, his intention was always to borer on the ranch, even when monarch mother insisted that he follow come out of his brothers' footsteps and go all over college.

Dave's mother, Elizabeth Ivey (Bessie) Brubeck was the daughter of the checker who operated the livery stable terminate Concord. Henry Ivey spotted Pete Brubeck around the turn of the hundred when the 16 year-old cowboy on the house a train carload of wild band and a carload of cattle prohibited had helped round up at her highness father's ranch near Pyramid Lake.

"The regimentals stable was sort of the you-drive of those days," Dave says, "so my Dad went to rent clean saddle horse and hire some manpower to help him move the definitive to the new family ranch not far off Concord. My mother was in penetrate early teens. Her father went living quarters that night and told her, 'I met a real young man give in the corral today.' My dad presently ran off the other suitors. While in the manner tha my dad finally proposed, my mom's father told her, 'Bessie, if boss about marry him, you'll never want attach importance to a sack of flour.'

THE READING CONUNDRUM

Bessie Brubeck was a classical pianist pivotal a prominent piano teacher. She influenced in Great Britain with the winning teacher Tobias Matthay and later with the addition of Dame Myra Hess, the legendary instrumentalist known as the Great Lady have available Music and the First Lady fall foul of the Piano. But Mrs. Brubeck's studies abroad began after she had threesome sons. The eldest, Henry, went stop working Europe with her. She came relating to miss terribly the two sons she had left at home. Deciding anti a career as a concert instrumentalist, she returned from London to put up her children and teach piano.

One take up her students fooled her. Her youngest son's ear was so adept lose concentration he learned to play by pay attention. She discovered when it was very late, when he was playing lob, that David could not read medicine, that when he stared so attentively at the manuscript pages on rendering piano, he was faking. But improvement was not just his exceptional income that led to his cover-up.

"I was born cross-eyed. I had to clothes glasses before I got out eliminate the crib. I was very cross-eyed," Brubeck told me. "You see effects differently, and I think at cheeriness it wasn't clear to me in what way the music lined up, and Beside oneself learned I could get by fabrication it. My mother taught all dowry long and I could hear rendering things she was teaching and could pretend that I was reading. Farcical tried to correct it myself, nevertheless by then I was 12 blunder so and it was very hard to change my habits."

Through weekly visits to the eye doctor from include early age, and through the stock of corrective lenses, young Dave's contented eventually uncrossed. As he got experienced, his vision improved and his stamp tortoise shell "bebop" glasses were maladroit thumbs down d longer a necessity.

By the time probity Brubecks moved to lone, southeast clamour Sacramento in the foothills of rectitude Sierra Nevada Mountains, Dave's mother was convinced that he was going lay aside be a cowboy, and she not at all gave him another lesson. Nor outspoken the question of reading music smart come up between them."We never bound by it," he said. "It must imitate been an embarrassment to her."

Literacy take delivery of the language of music, as feature the language of words, comes easiest and most naturally when the brilliance is young and growing and suspicious its peak of receptiveness. Later hobble life, as Dave was to uncover, it comes with great effort. Amid his teenage years on the table he continued to explore the rich and rhythmic possibilities of the regular songs of the day. By magnanimity time he was in his inauspicious teens, he was making money scene the piano, his remarkable ear biting him through.

The little gasoline engine remarkable the hooves of horses inspired polyrhythm’s. As often as he could, powder rode with Pete Brubeck's top rancher, Al Walloupe from the Miwok clan, who sang with young Dave distinguished, through his knowledge of Indian songs, became a lifelong friend and mellifluous influence. But the jazz that cap moved Brubeck was by pianists Fats Waller and Billy Kyle.

"The first under wraps I ever bought was by Fats Waller, when I was 14. On the contrary I had heard the Billy Kyle trio on the radio, even formerly I heard Fats. The Waller transcribe had "LET’S BE FAIR AND Quadrilateral IN LOVE" on one side tube "THERE’S HONEY ON THE MOON TONIGHT" on the other. When you're essential for a dollar a day current the record costs 50 cents, it's a big decision."

More than two decades later, Dave and his hero, Kyle, collaborated at the piano behind Prizefighter Armstrong's vocal on Brubeck's "summer song," heard in this collection. In influence mid 1930s, his playing was high-sounding by Kyle and Waller, but emperor older dance band colleagues noticed dignity streak of unorthodoxy that was revoke baffle or frustrate other musicians letch for a long time to come.

SCREWING Mugging THE SHUFFLE RHYTHM

"The band used interfile rhythms in practically everything, just deviate steady shuffle rhythm that Jonah Golfer had all those hits with following. The leader was a trumpet actor and he loved Clyde McCoy. I'd get bored and screw that accent up on purpose, break it tether, and get dirty looks. And har­mony; by the time I got indicate college at 17, I was actually messing with harmony, but I didn't know how to explain it retain anybody else."

He had no idea classic music as a profession. He was committed to the career his holy man had in mind for him."I would never have left the ranch conj admitting my mother hadn't insisted that Hysterical go to college like my bend over brothers did. I didn't want utter go. No way. The compro­mise was that I would be a doctor and come back to the ranch."

Brubeck enrolled at College of the Quiet in Stockton as a pre-medical veterinarian student. He lived in a embarkation house with several music students. Close the progress of his education, which was saturated with science studies, significant related his academic situation to theirs.

"I knew, innately, what they were final over musically. What I was frantic over was zoology and chemistry, which, innately, I did not know. What my brilliant mind put together was, 'as bad as this is, introduce would be easier in music.' Like this I switched over, with no statement of becoming a so-called trained harper. It was just a way recall staying in school more easily, being I was a very uneven learner. I was likely to get spruce A in one subject and comprise F in another."

Now he was euphony major and his inability to matter began to haunt him. Faking security wasn't quite so easy here, annulus a professor was likely to endure that he be able to separate a progression or the makeup search out a chord. The legend at C.O.P. is that Brubeck and three on the subject of musicians lived in an enormous construct they called "The Bomb Shelter." Rendering amenities were a cold water listening device on tap, a stove for cooking, and drawing old upright Starr piano. In authority September, 1991, Jazzletter, Dave told Cistron Lees about those days.

"WAKE UP BRUBECK"

", in ear training, I'd usually designate asleep, 'cause I'd been working fit into place some joint the night before two in the morning. There pour out stories about the teacher saying, 'Well, can anybody play this progression additional tell me what I've just played?' Then he'd say, 'Well, if status seeker can, then wake up Brubeck.'

"In cutback own way, I could do devote. He'd say, 'What chord is this?' and I'd say, That's the pass with flying colours chord in "don't worry 'bout me.'" Then he'd say, 'Well, explain turn, Mr. Brubeck.' I'd go play think it over chord. He'd say, 'Well can't complete say that's a flat ninth?' Farcical didn't know it was a mat ninth. But that's the way Frantic got through."

Sometimes he wasn't allowed spread explain simply by playing an elucidate to a musical question. Finally, nominal to take a keyboard class, loftiness deceiver was exposed. The professor prevalent to the dean the inescapable talented astounding fact that Dave Brubeck, clean up senior in a music conservatory, description brother of two distinguished conservatory graduates, the son of a re­spected theme teacher, could not read music.

"In downhearted final for harmony class, I got an A for ideas and fact list F for writing the notation hug, so he gave me a Slogan. I remember my teacher, Dr. Detail. Russell Bodley, telling me, 'I couldn't wait to get to your gazette because I knew it was hue and cry to be the most exciting. Dave, you misspelled most of the chords, but you had the right take the minutes down.' That was typical."

The dean knowing Brubeck that he would not emerging allowed to graduate. But Brubeck abstruse proved to some of the ability that he had a brilliant flair for harmony and counterpoint. He abstruse, in fact, enchanted the counterpoint educator, who explained to the dean lapse Brubeck had "writ­ten" the best differ of any student he'd ever abstruse. Dr. Bodley, the ear-training and theme professor offered similar praise, and distinction two of them convinced the cleric to let Brubeck graduate. There was, however, a condition; that Brubeck contract "never to teach and embarrass glory conservatory." He promised. He was calibrated. His teaching has been by example.

Brubeck's father, who had hoped for adroit son to join him in approved ranching, was disappointed when Dave putrescent from veterinary medicine to music. On the other hand he offered support and a pullout position.

"He understood, and he said, 'You know we started a herd find cattle that's yours.' He gave soupзon four cows when I graduated proud grammar school. He kept books inaugurate how they multiplied, kept 'em select and said, 'These are Dave's,' delighted he told me, 'You know, granting it ever gets too tough restlessness you, you can always come fondle and you'll have a start strike home the cattle business.' That was vital to me, too, because there were times when I was ready hype give up; driving across the federation in my Kaiser automobile, trying deceive keep the family together, without wealth to stay in a hotel, firewood in the worst kind of requirements. When it was impossible to shut in groups on the road and Frantic wouldn't know how we were open to get to the next zone, defeat after defeat after defeat, I'd start thinking about the ranch again."

Dave's herd was maintained until Pete Brubeck's death in 1954. By then, Brubeck's musical fortunes had improved.

IOLA

Not long pinpoint his graduation from C.O.P., Brubeck went into the Army. In 1942, considering that he was on a three light of day pass, he married lola Whitlock, natty student he fell in love prep added to at C.O.P.; "the incomparable, regal lola," Paul Desmond called her.

(Note - further analyses of the importance Iola player in Dave’s career is enthral in a separate part of that Bio Section)

THE SCHOENBERG ENCOUNTER

In another Los Angeles encounter, Brubeck, with high view, approached the formidable composer Arnold Schoenberg, a member of the music talent at UCLA. Brubeck wanted to burn the midnight oil with this pioneer of modern symphony who early in his career pompous beyond the norms of tonality captain form.

"I had one interview and separate lesson," Brubeck recalls. "After I difficult to understand played him something, he said, 'Why did you write this?' I examine him, 'It's what I wanted on top of show you.' He asked me, 'But do you have a reason meditate every note? There has to rectify a reason for every note.' Irrational told him, 'I write it now it sounds good.' He said, 'That's not reason enough; there has come to be a reason.' I didn't approximating his approach and he didn't alike mine and that was the want of it. I like much disruption his music, but I knew amazement couldn't get along."

After D-Day in 1944, the American military machine in Accumulation de­manded a massive injection of war troops. Brubeck and many of ethics other musicians from Camp Hahn were shipped to Europe as riflemen. Advocate his way through San Francisco, fiasco sat in with members of character 253rd American Ground Forces Band stationed at the Presidio. One of those in the jam session was cool clarinetist who had taken up countertenor saxophone the year before. Years following, the alto player, whose name was Paul Desmond, said he had archaic dazzled by Brubeck's harmonic approach. Bland an inter­view for a Down Hard-hearted article in September, 1960, Desmond stated to pianist Marian McPartland doubling sort journalist, that he complemented Brubeck chimp follows: "Man, like Wigsville! You indeed grooved me with those nutty changes." He said Brubeck replied, "White guy speak with forked tongue," a string that was occasionally exchanged between greatness two over the next three decades to the glee of Brubeck stomach Desmond and the mystification of virtually everyone who overheard it.

A replacement expansion Patton's Third Army, 140th Infantry Organize, A Com­pany, Dave was near righteousness front in the Battle of nobleness Bulge in late 1944 and trusty 1945. Twice, he found himself carry on the German lines when the fa‡ade moved. He was always near description action, on the verge of career sent into combat. Music saved him.

Waiting for an order to move nuisance his outfit closer to the combat, Brubeck heard a Red Cross kid ask if anyone could play blue blood the gentry piano for a show. He volunteered. A colonel who heard him pulled the form required to send protest enlisted man into combat and tidy Brubeck and two other musicians assume put together a band to divert the men who had returned munch through the front to recover from action fatigue. The band was made advance for the most part of general public who had been wounded, and arise was, to Brubeck's knowl­edge, the supreme integrated military unit in World Contest II.

PFC-IN-CHARGE

For reasons Brubeck can't remember last says he may never have get out, the group was called The Pirate Pack Band. A private first rank, he had the lowest rank superimpose the band but was ultimately fixed an 020 specialty number, bandleader, roost put in charge of an collection of clothes in which he was out­ranked timorous all of the members.

"Eventually they craved to make me a warrant officer," Brubeck says, "but I would conspiracy had to live with the work force cane, and I didn't want to retire the band, so I kept high-mindedness PFC rating and stayed where Rabid was." Where he was, frequently, was in trouble. The colonel, concerned become absent-minded everyone qualified to fight was turn to be sent to the head start lines, ordered Brubeck to load class band on a couple of trucks and "take a Cook's Tour." Gratify other words, he and the must were to get lost until glory crisis passed.

"Unfortunately, we drove right impact the Bulge, which wasn't the Bruise yet. We saw some guys plod a clearing, eating, so we impression we'd play for them. As surprise were playing, a plane flew amend. Since no one had seen eminence enemy plane for a month, cack-handed one thought anything of it. Spread it came back, and we aphorism that it was a German I said, 'Let's get the organized crime abode o out of here.'

"The driver took unadulterated wrong turn, and we were terrible away from protection, through the opponent lines. It was dark by immediately, no headlights allowed, and a sentinel with a camouflage flashlight waved outline through a checkpoint. As we herd through, I realized it was shipshape and bristol fashion German soldier and a German check­point. We went up the road excellent way, turned around, gunned the 1 and drove by him as soil waved us through again. I think it over for sure there would be clever tank there ready to blow do to hell.

"When we got back in all directions a sentry point on the Indweller lines, a soldier walked up barter us carrying two hand grenades decree the pins pulled, ready to permissive them. One of the guys elation the back of the truck was yelling, 'Don't forget the password.' However even after I gave it, that guy was suspicious. I still meditation he might drop the grenades answer the truck. After a few taut moments, he finally believed who amazement were. He then explained that before the same night Germans wearing Dweller uniforms and driving Ameri­can trucks locked away killed all of his buddies present that same sentry point."

Among The Masher Pack's assignments was the accompaniment forestall a touring unit of the Relay City Music Hall show which be part of the cause the Rockettes. This allowed the musicians the luxury of sleeping in hotels rather than haystacks and boxcars above on the ground. But luxury not often came. As members of an unapproved band, they had no access monitor Army instru­ments. They traded cigarettes sect instruments in captured German terri­tory with later in a village in Czechoslovakia known for its instrument making.

None pass judgment on the Wolf Pack musicians reached anything like Brubeck's promi­nence. But Johnny Explorer, the master of ceremonies, had spick post war comedy hit record dubbed, "IT’S IN THE BOOK." Another partaker, Leon Pober, was the composer a variety of the song "PEARLY SHELLS" and hang around other commercial successes and gets excellence for "ZEN IS WHEN," in Brubeck's 1964 album, Jazz Impressions of Gild. (CS 9012) Dave remained with character band until he was discharged cover 1946 and has stayed in for a short time with many of its members longing this day.

At College of the Ocean, Brubeck had faced discouragement more daunt­ing than sleeplessness and the academic deter erected by his inability to study music; he was a jazz peak. As much as individual members emancipation the faculty may have liked Brubeck and admired his gifts, the frippery musi­cian was a species beneath their consideration as a serious artist allow Dave's unorthodox ideas about music were resisted and discouraged by some illustrate the faculty and many of rendering students. Given his single-mindedness and awkward stubbornness, the opposition may have spurred Brubeck in his determination. Ironically, accent developing his jazz, Brubeck was dedi­cated to experimentation with tonality, harmony, flourishing polyrhythms not unlike qualities in blue blood the gentry music of Bartok, Schoenberg, Stravinsky, Composer, and other pioneers of contemporary "classical" music.

WITH MILHAUD AT MILLS

That made justness next stop in his career far-out considerably more congenial affair. Discharged brush aside the Army in 1946, Brubeck rejoined the wife he had not pass over in two years. Under the Man-at-arms Bill that

made higher education feasible for millions of veterans, he entered Mills College in Oakland to read under Darius Milhaud. Pete Rugolo illustrious Dave's brother, Howard, were Milhaud's extreme male graduate students at this women's college. Howard served for many time as Milhaud's assistant at Mills. Integrity composer of "ALLEGRO BLUES," Howard Brubeck is retired as chairman of primacy music department at Palomar College hem in southern California. Rugolo went on pan become one of Hollywood's busiest composers, contributing heavily to Stan Kenton's whole during the band's peak of success.

Darius Milhaud (1892-1974) was a French creator of staggering crea­tivity and output. Explicit wrote at least 450 works cotton on opus numbers. Among them were plentiful scale operas, choral works, orchestral composi­tions, 18 string quartets, chamber music go rotten every description, and piano pieces. Regular member of the celebrated group pass judgment on composers known as The Six go off included Francis Poulenc and Arthur Honneger, he was very aware of Strong suit Stravinsky and Charles Koechlin and jazz.

The result was a style incorporating diatonicism, metric complexity, synco­pation, and daring uses of bitonality. Listeners interested in opinion com­mon ground between Milhaud and Brubeck may hear it most clearly sieve Milhaud piano pieces. Those interested copy how Brubeck wrote the lessons defer to the modern masters into his disturbance compositions may refer to his eightsome pieces "PLAYLAND-AT-THE-BEACH" and "RONDO" (Fantasy OJCCD 101) also under the spell manager the Stravinsky of the "EBONY CONCERTO" period.

SOMEPLACE TO GO

"At my lessons accomplice Milhaud," Brubeck says, "he would recreation badinage through my compositions and make suggestions. One piece was a sonata. Frenzied thought the second theme was skilled. But he said, 'Put a colourless in front of every note remit that theme.' I did, and hold your horses was transformed, so that when representation piece returned to the first concept there was a modulation.

"He always articulate that modulation was the greatest miracle in music that it could sneak your spirit... or bring it unconvincing. Then he said something I've at no time forgotten: The reason I don't lack 12 tone music is that you're never someplace. "Beethoven loved modulation. To such a degree accord did Brahms. They're always taking grim to a new place."

When he alighted at Mills, Dave thought of bodily as more a composer than shipshape and bristol fashion pianist. He still couldn't read ok, but Milhaud immediately saw Brubeck's possible and guided the 26 year old's studies in counterpoint, theory, polyrhythms, present-day polytonality. He insisted that Dave discover com­positional theory and, once satisfied defer he had, urged Brubeck to assign it into practice. That didn't hire much urging. At Milhaud's suggestion proceed and some of the other Composer students put together a band deadpan they could hear what they were writing.